people

  • Publicly Supported, Not Publicly Owned: Why Murals Are Muralestate By Michelle Loughery Murals aren’t “just paint on a wall.” They’re Muralestate—place-anchored cultural property that holds stories, shapes how people navigate a neighbourhood, and quietly powers local economies. Even when public funds help present them, murals (and the oral-history narratives fixed within them) are not public-domain content. They’re protected artistic +

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  • My murals aren’t just painted on surfaces—they’re woven into the very fabric of the communities they represent. They hold the stories, struggles, and spirit of the people, becoming part of the collective memory. The walls may carry the paint, but the real murals live in the hearts, minds, and shared experiences of those who see

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  • my home town

    This is a photo of my home town. The wonderful small community that raised me. Michel/Natal. It had three names, Michel, Natal and Middletown. I was lucky enough to be named after the first, at Dawn: so Michelle Dawn is what I was called. My mom opted out of Sunny… yes as you can guess

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  • Watch video on Project TOMATO RED MURAL Youth Crew on Mural -now on Big Screen Premiering March 3  2018 Kamloops Film Festival There is always a story behind every mural. There is always more than paint on the wall. The paint may be attached to the building, and the artist may have let us paint their

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  • Socio economics & murals

    Tourism is not exclusively an economic movement, it also involves social, cultural, political and environmental aspects. It is important to realize that any assessment of tourism impacts should not only be concerned with the tangible economic effects such as revenue and foreign exchange earnings, but also with non-economic and intangible effects, such as social and

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  • CANADIAN CAETANI

    Today aj Jaeger and I installed the Canadian Caetani Installation. A first in the permanent  Route Bl:ue series and one we have huge heart string connections with.  

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